Released: 2023
“Home To Another One” by Madison Beer is a haunting tune that dips into the realm of heartbreak, tinged with threads of longing and unfulfilled closure. This pop ballad touches on a touchy post-breakup narrative – the ex-lover moving on, while the speaker is left dwelling on the past, grappling with the leftover emotions, and reconciling with the pain of replaced presence.
The opening verse sets the stage, Madison admitting, “I know what I should say, I don’t think of you, but I do. Oh, I do, I do”. A classic push-and-pull, ‘should’ versus ‘do’, parallel to the conflict between head and heart. Unpacking this stanza like a Louis Vuitton suitcase filled with nostalgia, it’s clear that she’s wrestling with echoes of a past lover in her present reality; the ‘black car on the highway’, a phantom sighting of his face. This is longing in its most visceral form.
When we swing over to the chorus, the storyline thickens. “I know you go home to another one”, raw truth served à la carte, acknowledging the gnawing reality that her ex is with someone else. The repeated line “Call me, ‘Baby'” is a genuine ode to residual habits, echoes of shared intimacy that refuse to fade away, indicating that in spite of their split, there’s an unspoken connection that endures.
The line “It’s okay, boy, you’re not the only one”, is a powerful declaration of resilience, a hint that our girl Madison isn’t some heartbroken damsel. She’s strong, seasoned, and well-aware that the loss of love is a universal experience. Yet, the repeated phrase “Another year, we’re still here” suggests the shadow of the past relationship continues to linger, the memory loops refusing to disentangle.
Although this lyric deep-dive might leave you reaching for tissues, let’s not overlook its empowering undercurrent. Madison Beer is spilling her soul, audaciously confronting the pain of her past, and in doing so, she reclaims her narrative – a narrative so many of us can resonate with. Pop music, amirite?
