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Released: 2020

In “Midnight Sky” by Miley Cyrus, we’re diving into a neon-tinted anthem of self-liberation and independence. Here, Miley sheds the chains of past relationships and societal expectations to blaze her own trail beneath the starry tapestry of the night.

The track kicks off with Miley reflecting on how the mirror — that age-old symbol for self-scrutiny — is hinting it’s time for her to bounce, yet there’s a twist. The pull to return to her solitary comfort zone is stronger than it’s been in a hot minute. “La-la-la-la-la” seems trivial, but don’t sleep on it; here, it telegraphs a carefree attitude that says ‘I’m doing me, and that’s full of joy’. Miley recalls years “with my hands tied up in your ropes” – a metaphor for being trapped in a relationship that’s sapping her independence. But she’s over that. “Forever and ever, no more” — that’s her mic drop. The distance she’s put between herself and those bindings is as infinite as the “midnight sky” she’s cruising under now. She’s not looking for that sign-off from a lover anymore; she’s inhaling freedom and spitting out fire — no need for anyone else’s approval to fuel her.

The second verse shifts the spotlight slightly, as Miley describes a woman — maybe the singer’s own alter ego — ready to own up to her mistakes and live life unapologetically. The “sweat drippin’ off her face” is more than a signal of the grind – it’s the physical release, the detox of a life lived under a microscope. Miley’s showing us she’s never been one to stay static, she’s always moving, leaving the “forever and ever, no more” promise in the dust. The mantra of not belonging to anyone resurfaces, reinforcing her pledge of autonomy. And that sweet, sweet refrain? It ain’t just catchy, it’s a victory shout for anyone who’s ever felt the need to bust out from under somebody else’s thumb.

Now here’s where she really flexes. Miley refuses to cloak her emotions or experiences behind misty eyes. She’s transparent, unashamed. She even flips the script on the expected gender norms: “See my lips on her mouth, everybody’s talkin’ now, baby.” Oh, and let’s not breeze past “See his hands ’round my waist, thought you never be replaced” – Miley is laying it bare, that she’s got options, remapping her love life on her terms, and it’s a revelation that’s got tongues wagging. But she’s unbothered; after all, she doesn’t need to be loved by you. It’s a line that’s downright defiant — it’s got swagger, it’s got moxie. It’s Miley Cyrus reclaiming her narrative and singing it from the rooftops for all the wandering souls racing under the “midnight sky.”

To sum it up? Every “La-la-la-la-la” is a whistle into the void, a signal of Miley’s unattachment, and “Midnight Sky” itself is a technicolor tapestry, weaving threads of empowerment, self-discovery, and the ultimate kiss-off to anyone who thought they had a claim on her. You know it’s true.