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Released: 2024

Features: Brray, Bad Gyal

At first glance, “Double Team” by Anitta featuring Brray and Bad Gyal seems to embody the spirit of body positivity, sexual liberation, and financial independence that’s woven deep into the fabric of contemporary pop culture. The song weaves a narrative of empowerment, indulgence, and an assertive persona unafraid to embody their desires.

Starting off with the repeating lines “Soy bien puta y to’s lo saben” which translates to “I’m a real whore and everyone knows it,” the song plays on the reclamation of derogatory words often aimed at women. It’s an audacious embrace of sexuality and assertion of self-ownership, drawing parallels with pop culture’s long-standing tradition of reclaiming derogatory terms. This recurring lyric sets the stage for the overarching narrative of sexual liberation and empowerment coursing through the veins of this song.

“Olhe para mim, más perra que rintintin, El cora te late a mil, no hay culo si no hay cash in” translates to “Look at me, more bitch than Rintintin, Your heartbeat races, no ass if there’s no cash in.” The lines underscore the narrator’s determination to set personal boundaries and standards, demanding that any potential suitor meets them. They refuse to bend over backward for anyone who doesn’t perceive and acknowledge their inherent worth.

The line “mírame, minha amiga ‘tá puesta pa’l double team” translates to “Look at me, my friend is up for a double team,” while “no amarres fuego, tú quiere’ y yo quiero” means “Don’t tie up the fire, you want and I want.” These lyrics embrace the freedom of sexual exploration and reciprocity, suggesting a break away from conventional, often patriarchal, norms of sexual behaviour.

The verse “Sé el tamaño y sé que ocupa, Me pide que le escupa, Yo chupo, él chupa, Me mira como si tiene lupa,” translates to “I know the size and what it takes up, He asks me to spit on him, I suck, he sucks, He looks at me as if he has a magnifying glass.” Here, Anitta delves deeper into her outright acceptance and enjoyment of sex, throwing societal judgement to the wind. It’s a bold statement, eschewing the conventional passive feminine sexual identity.

As the verses progress, the repetition of “Soy bien puta, puta, puta, puta” emphasizes not only the narrator’s self-awareness and acceptance of these bold sexual identities, but also serves as a rallying cry for listeners to embrace their own sensual identities. This call-to-arms paves the way for an open conversation about the complexities of modern sexuality and self-expression.

In essence, “Double Team” challenges centuries-old prejudices about female sexuality and autonomy. Anitta, Brray, and Bad Gyal establish a potent pop anthem that plays by its own rules, disregarding societal norms and expectations at every turn. In doing so, they provide a refreshing perspective on sexual liberation and assertiveness in the pop music sphere.

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