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Released: 2024

Label: Coke Boys Records under exclusive license to gamma.

Featuring: Amber Run, Kanye West, SAINt JHN, Buju Banton, Rick Ross, Lil Wayne, Lil Baby, ATL Jacob, Westside Gunn, Kyle Richh, Jenn Carter, 41, JID, Lil Durk, Jeremih, Bryson Tiller, Mikky Ekko

In the panorama of pop music, French Montana stands as an undeniable force. His oeuvre, embedded with gritty narratives and infectious beats, has enshrined him in the annals of modern-day hip-hop. Montana’s ‘Mac & Cheese 5’ album is no exception, providing us with a smorgasbord of vivid storytelling entrenched in his experience and interpretations of his world.

From the streets of the South Bronx to the glitz of the music industry, Montana offers accounts that strike with authenticity. Songs such as “Dirty Bronx Intro,” “Splash Brothers,” and “Casino Life 3” encapsulate this journey, tinged with the struggle, triumph, and the many hues in between. Bold tracks like “Okay” and “Fake Friends” underline his grappling with fame and fortune’s ambiguities, while anthems like “Stand United” and “Goals” highlight the resolute spirit inherent in his discourse.

His lyrics exemplify more than just an individual narrative – they paint a broader picture of the human condition in its various manifestations. The final tracks including “Millionaire Row,” “Ride The Wave,” and “Documentary” serve as powerful finales that seem to bring his tale to an emotional, poignant turn. ‘Mac & Cheese 5’ proudly takes its place in Montana’s discography as a rich tapestry of experiences that resonate deeply with listeners.

So let’s get into it. From ‘Dirty Bronx Intro’ to ‘Documentary,’ here are the Delve into the Lyrics on ‘Mac & Cheese 5’ album by ‘French Montana’.

1 Dirty Bronx Intro

Features: Amber Run

The song hits home with its unfiltered look at his humbling beginnings: growing up impoverished, juggling hustles, and facing the constant risk of deportation. There’s a dichotomy at play here that’s compelling – Montana’s success story set against the stark realities of his past. It’s all encapsulated in his blistering line, “Frontin’ like they gave me somethin’ when I had to take it.” The track, in essence, serves as a stark reminder of his trials, tribulations, and ultimately, his triumph, offering listeners an unadulterated glimpse into the realities that fueled his drive to attain success in the challenging world of pop music.

2 Talk To Me

Amid the media broadcasts that pepper the backdrop, we’re drawn into back alley dealings and dangerous nights, a world where Montana’s self-proclaimed ‘wild habits’ dictate survival. There’s a sense of creeping mortality throughout, embodied in the coldly haunting line, “Came in the Phantom, Left as a ghost.” Yet within the struggle, there’s resilience, exemplified by, “Everybody knew it was impossible, Until the fool came along and did it.” This underdog’s rise-from-the-ashes narrative serves as a potent reminder of Montana’s journey, a medley of danger and determination, survival and success. “Talk To Me” stands as a confessional, a raw and unflinching look at the rapper’s early hustle that led to his current triumphs.

3 Stand United

Features: Kanye West, SAINt JHN, Buju Banton

Here, French Montana talks about his journey from hustling on the block to buying it, displaying an unflinching self-reliance. He calls us to stand united, dropping the line, “If you’re only workin’ sunny days, you never reach your destination,” a hard-hitting reflection on the merits of perseverance. Meanwhile, Kanye interlaces his verse with references to his struggles against cancel culture and the price of truth, alluding to his recent controversies. Buju Banton, intertwines his verse with powerful statements on racial lines, police crimes and brutal times – drawing upon his history of social commentary. This song spins a narrative of resilience, unity, and the spirit of resistance against systemic obstacles.

4 Splash Brothers

Features: Rick Ross, Lil Wayne

The lyrics spit by Montana are laden with braggadocious swagger and grit, painting vivid imagery of a fast life filled with riches, conflict, but also success. A standout line from the track: “Your favorite rapper in the precinct writing essays, When Hov took a break, I had the city for a decade”, showcases Montana’s assertiveness and dominance within the genre. This anthem, replete with a hefty dose of self-belief, reinforces Montana’s lyrical prowess, while recalling his roots in street life and his ambitions to transcend it. “Splash Brothers” isn’t merely a hip hop track – it’s a testament to resilience, ambition, and the power of staying true to one’s origins.

5 Okay

Features: Lil Baby, ATL Jacob

Encased in its lyrics is a Paris Fashion Week of brand-name drops and bravado-filled boasts, but among the glitz, an underlying narrative of striving and survival shines through. Montana’s lyrical prowess is on display with punchy lines such as “I am a goon, she a goblin / Coke Boy like Loon up in Harlem.” Here, Montana pays homage to his Bronx roots and his infamous Coke Boyz label while also touching on the harsh realities that come with fame and success. Meanwhile, Lil Baby and ATL Jacob’s contributions bring a fresh perspective and a flavor of the South, further elevating the track. It’s a soundscape that’s merged with a skippy trap beat and filled with swagger, unapologetic self-assuredness, and even a dash of humor, encapsulating the essence of a modern urban hustler’s anthem.

6 Casino Life 3

Montana contextualizes his hustle within the risky game of chance that life often feels like, tagging it, poignantly, as “Casino Life.” His verse, “Montana, yeah, uh (if anybody tells you different, they’re fucking lying)” is a power-packed punch, underscoring the flamboyant testament of his lived experiences. His words tell an unabashed tale of triumphs and tribulations in his rise from the streets of Morocco to the hip-hop hustle of America. His lyrics cleverly intertwine the fragility and toughness of life, painting a vivid picture of his journey. French Montana’s unmistakable authenticity in “Casino Life 3” is enough to cue respect for his rhymes and relentless hustle.

7 Where They At

Features: Kanye West, Westside Gunn

It’s a direct query about those who would pose a challenge or bait the trio. Montana’s verse sounds a siren call to his old stomping grounds, celebrating his Harlem roots with lines like, “Hermés bandana on my head, I think I’m Tupac.” West muses on his career recognition, shrugging off the worthlessness of his accolades with, “Remember when they asked dumb shit like, ‘Can he rap?’/ Now I can’t even find my diamond plaques.” Westside Gunn’s vibrant imagery, though less pronounced, adds a gritty punch, with the repeated “Where they at?” refrain building an intense atmosphere. This track is a tour-de-force in lyrical storytelling, showcasing how far these artists have come while never forgetting where they started.

8 Skit

It’s a clear embodiment of how he sees the world, hinting at the struggles and successes that run as common threads through his life and career. It doesn’t hold back, giving us lines like “I’ve been through the mud, but I came out clean,” an unfiltered, straightforward testament to the ‘grit to glory’ narrative that French embodies. While it may be a short detour from the tracks that lay down the beats, “Skit” is a quick throwback to his street-centered roots, providing a breather and resetting the stage for the subsequent tracks in the album.

9 Too Fun

Features: Kyle Richh, Jenn Carter, 41

“Too Fun” is French Montana in his element, painting a lurid picture of a night out of control, filled with hedonism and excess. Amidst the haze of Perky and Henny, he and his crew, notably Kyle Richh, Jenn Carter, and 41, weave through a landscape of carnal pleasures and wanton indulgence. One hit verse brims with audacious swagger, “Damn, that shit too fun (fun) / Put a Perky on her tongue (tongue) / Fuckin’ all night, count munyun (munyun)”, encapsulating the unchecked abandon that characterizes the track. In spite of its raunchy veneer, “Too Fun” subtly discloses the mirrored facade of the perpetual party that populates the rap world. It’s a world warped by intoxication, punctuated by a chorus that is a hedonistic mantra for the ages – “Damn, that head too dumb. Too dumb, too dumb.”

10 Facts

Boasting an insistent beat and catchy flow, the lyrics are cloaked in braggadocio yet farmished with autobiographical touches. Montana cleverly crafts his narrative around his underdog beginnings in the Bronx, a soaring ascend towards the glitz of fame, and the pitfalls lurking underneath. With a nod to Wu-Tang Clan’s “C.R.E.A.M” in “Cash rules everythin’ around me,” he lays bare the centrality of money in shaping his reality. The lyrical gem undoubtedly arrives when he declares, “Took a pocket full of stones, built a mansion,” demonstrating his survivalist mindset amidst adversities. A potent mix of flashy lifestyle and stark life lessons, “Facts” is quintessentially French Montana — unfiltered, unapologetic, always striving.

11 Praise God

Features: JID

The lyric, “Even losses, I ain’t lose, learn somethin’ every time” slaps hard, mirroring the resilience bred by the suffocating pressures of fame and life’s adversities. Montana and JID’s nuanced storytelling – a masterful blend of harsh realities, introspective thoughts and aspirational ambitions – finds its nucleus in leaning on faith, amidst worldly pitfalls. The recurring motif of God, represents their pivot from worldly struggles to spiritual resilience. The chorus, an anthem of survival and success against all odds, gives it the gritty authenticity. JID’s standout verse “In this game of thieves, I just do the most and say the least. But I get paid the most, a quarter-mill’ a show, I think it’s cheap”, masterfully underscores his rise from humble beginnings to high-stakes stardom. The track pithily captures the duo’s commitment to keep striding forward, thanking the ‘most high’ for each step taken.

12 Money Ain’t A Thing

Features: Lil Durk

It’s a rags to riches tale imbued with street grit. The duo’s verses are filled with evocative depictions of the challenges they’ve weathered – and they don’t hold back. French Montana, repping the South Bronx, delivers biting commentary on the dichotomy between social media flexing and real-world drug dealing, while Lil Durk from Chi-town delves into the harrowing experiences of his past. There’s an undertone of caution, a reminder that wealth doesn’t immunize them from their roots. A standout line must be Montana’s “Hold it down for my dog Max, locked in the bang / When you hit the brick, new whips, money ain’t a thing” — a hard-hitting homage to his friend incarcerated yet still living in luxury through him.

13 Goals

Features: Jeremih

As a standout track from ‘Mac & Cheese 5,’ lyrically, this is a paeon to decadence, romantic allusions, and the grandeur of the pop star lifestyle. French Montana, with his punchy flow and unfading swagger, makes a bold confession, “I’ll really go to Maldives to get you wet on the balcony and you on your tippy-toes,” and that splurge mentality gets underscored by Jeremih’s velvet vocals. There’s an irresistible confidence here that neither brags nor begs – it just states. A deep dive into their sweet talk reveals themes of desire, aspiration, and companionship. These lyrics are a testament to Montana’s ability to blend bravado with earnest sentimentality, creating a romanticized vision of the life he lives – or, perhaps more accurately, the life he aspires to live with his significant other.

14 Other Side

Montana lays his emotions bare, shifting between themes of admiration, self-reflection, and desire. His lyrical prowess shines through as he captures the struggles of navigating both the hardships life throws and the underbelly of opulence. As Montana articulates, “Even on your worst days, you’re halfway decent. You deserve the world, I’m talkin’ princess treatment.” The phrase captures the dichotomy of struggle and ambition that threads through the song. Embedded within the lyrics is an unspoken promise of a better life, a glimpse into the ‘other side’ that remains unseen by many. French Montana presents an authentic narrative that resonates with his audience, pulling them into the intimate universe he’s crafted within ‘Mac & Cheese 5’.

15 Fake Friends

Features: Bryson Tiller

Montana and Tiller dissect the struggles of maintaining authenticity amidst the influx of faux companions drawn to their success. A standout hard-hitting verse by Montana – “Anything you lose by bein’ real is fake” – brings home the song’s central theme. It’s a critique of materialistic bonds, a wise up-and-at-’em to the world of glitz and glamour, and a wake-up call to distinguish between genuine respect and brazen opportunism. This track layers the recurrent pop narrative of fake friends with an added sense of melancholy specific to Montana’s journey through fame. Infused with Tiller’s smooth vocal tonality, “Fake Friends” dives deep into the consequences of rapid success in the music industry.

16 Where We Came From

The line, “Look at where we at, and look at where we came from,” repeatedly echoes throughout the track, a testament to Montana’s resilience & relentless hustle. He deftly switches between tales of globetrotting luxury, such as a “Slide through Morocco with the Euro step,” to gritty street realities, culminating in a cautionary bar – “Get caught without your chop, they spankin’ you.” The lyrics triumphantly celebrate Montana’s triumphs and tactfully remind listeners of the lurking danger in his past. French Montana cleverly balances braggadocio and retrospection, crafting a track that’s not just an anthem for made men but also an underdog’s rallying cry, foreshadowing that liabilities can transform into assets.

17 Made It In USA

The lyrics paint an unflinching picture of the hardships faced by an immigrant seeking survival on the streets of the South Bronx. Montana’s intricate wordplay communicates a narrative soaked in regret, remorse, and resilience, as he grapples with the brutal realities of his past. The repeated refrain, “We gon’ make it, we gon’ make it”, encapsulates the relentless pursuit of success against all odds. One particular line hits hard: “Young Moroccan immigrant made it in the USA”. This line serves as an ode to Montana’s Moroccan roots and a testament to his achievements, rendering the track a gritty tribute to everyone who’s struggling to stand tall and make it on these shores and beyond.

18 Millionaire Row

Features: Rick Ross

The chorus lays its cards on the table with an audacious mantra of “More motherfuckin’ money”, a direct commentary on the capitalist hustle that’s part of hip-hop’s DNA. Montana is open about his rise to the top, the game, the grind, and the glamour. His raw line, “I been poppin’ them Teslas ‘fore I knew Elon Musk”, implies a nonchalant embrace of wealth, while also flexing his early adoption of luxury. Similarly, Rick Ross chimes in with his hardened street perspective, “I got personal credit, get you murdered for debit”. It’s clear that “Millionaire Row” embraces the glitz and grit of the rap world, echoing the universal desire for financial success and the lengths one might go to achieve it.

19 Ride The Wave

With lines like “Shorty ride the wave, A crib up by the lake”, Montana paints a picture of the high life, juxtaposed against the cold realities he vividly illustrates in “Karma came back hard as iron”. He’s not just throwing down successful lifestyle flows; he uses “Cash in the shoebox for the case” and “Nigga’s is square, like my Frank Mueller face” to craft an intriguing narrative about his rise from obscurity. The repeated phrase “In your own lane, ain’t no competition”, captures Montana’s philosophy of personal hustle over unhealthy rivalry. He sets his own pace, defying societal norms and naysayers, underscoring the essence of the song: staying true to oneself, being loyal, and riding life’s wave at one’s own rhythm and not someone else’s clock.

20 Back In Style

He’s all about setting the vibe and bringing realness back into style, hence the audacious declaration, “God strike me down if I’m lyin’, put my right hand on the Koran. I know that you ain’t feel this good in a while, but don’t trip, ’cause real niggas back in style.” His lyrical mastery here is marked with reminiscing, an illustration of his desire to give the world to his lady, and a clear disregard for gossip and past relationships. Peppered with Spanish dialogues and the sound of a voicemail, the track captures a tangible back-and-forth tension, made even more potent by French Montana’s confident lyrical assertions. This tune simply reiterates French Montana’s unwavering commitment to authenticity and originality, proving once again why he’s such a heavyweight in today’s pop music scene.

21 Documentary

Features: Mikky Ekko

With smooth vocals from Mikky Ekko, the track navigates the gritty corners of the human condition and the sometimes savage reality of life. French Montana’s verse, “Doors turn to caskets, right back to them ashes. Workin’ to be masters, workin’ for the masters,” bears the heart of the song, exploring the cyclical nature of existence and the struggle for mastery while being mastered by external forces. It’s an unfiltered commentary on the paradox of ambition as it navigates through metaphorical landscape—life’s savagery, ambitions turning to ashes, the illusion of success, and the ultimate quest for redemption. The weight of these words is reinforced by Mikky Ekko’s haunting refrain, equating life to a ‘real bad habit.’ A hard-hitting lyrical masterpiece in ‘Mac & Cheese 5.’

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